[It is said that] in the siege of the Persian city Beioudaes, which Herakleios, the father of the emperor Herakleios, was besieging,[1] there was a man named Sapeir who was in body[2] like the
Tydeus celebrated by
Homer but in willpower[3] even greater than
Tydeus. For in soul he was
Heracles and anyone stronger than that who had ever been born[4]--for I do not shrink from[5] assigning
Heracles second place in respect to magnitude of courage, even if we are without a parallel.[6] He picked up sharp stakes and rushed at the fortress and traveled through the air.[7] After inserting one of the stakes in the wall between the structure's blocks (for the fort was fashioned out of unmortared stone), he stepped up on the stake; then, similarly again jamming another stake in, he set his other[8] foot down on it. And he grabbed onto the rocks jutting out and held on with his hands and thereby cleverly contrived a path where there was no path.[9] And, while the besieged were unable to endure the sight[10] of the missiles[11], that man Sapeir held firmly onto the battlement. And the fort would have been captured in that first assault, if one of the Persian company had not suddenly appeared[12] and thrust that warrior[13] back out with one of the shields[14] that were set out in front of the fort. And he slipped and was borne downwards along with the shield "tumbling in the dirt onto his forehead and shoulders" in a Homeric calamity.[15] Nevertheless, he did not perish, for his fellow laborers[16] caught him on their shields and saved the injured man, for the javelins' iron points had nicked him just slightly. With perseverance he went to that work again and leapt back up and cast his hands upon the battlement, like an octopus with inescapable tentacles, and held onto the battlement with a strong grip. And his Persian opponent worked up a scheme kindred[17] to his other one. As the battlement had just been weakened by the Roman's attacks, he pushed it off along with the warrior and let them fall down. Then the soldier, lover of danger,[18] was dragged down along with the battlement that he had so longed for, and in the midst of the fearful spectacle his allies offered the same rescue as before to the man who dared everything. But he, after recovering from being wounded in the fall, gladly welcomed a third contest,[19] as if some irresistible divine power was goading him on to the labor. And, when he crept back up, stepping upon the remains of the bulwark's[20] parapet, he drew an
akinake[21] and killed that very same Persian, the
kephen[22] of his courage. And so, removing his head from his neck, he threw it down to the attackers. And the Romans, after witnessing what happened, grew confident and eager for dangers. And a brother of that Sapeir (and he was the eldest), after having been witness to his brother's courage, immediately sought to rival his undertaking and went up himself using a manner akin to his kin's.[23] Then another man went after him, and many more after that, for next those who first took the fort ascended by means of ropes and smashed in the gates,[24] and next the Roman army was able to come in. And, so gaining supremacy over their enemies, they took over the fortress [...].
This seems to be the only instance of the personal name Sapeir in ancient and Byzantine Greek. However, the name does appear as an ethnic designation for a people based in the inland of Asia Minor. As such, the name appears first in Apollonius Rhodius,
Argonautica 2.395 & 1243, and the Orphic
Argonautica 755 (Dottin).
[1] This sentence has been invented by the author of the entry in order to provide context for the following lengthy fragment from Theophylactus Simocatta,
Historia 2.18.15-25. See also under
alpha 3361,
epsilon 1546,
epsilon 4050,
xi 68.
[2] That is, small in stature, as opposed to
Heracles (abiut to be mentioned) who was usually supposed to be very tall (cf. Aulus
Gellius,
Noctes Atticae 1.1.1-3). For
Tydeus see
Homer,
Iliad 5.801: "
τυδεύς τοι μικρὸς μὲν ἔην δέμας, ἀλλὰ μαχητής ." It seems that Theophylactus is echoing the
μὲν and
δὲ construction from
Homer; to understand the allusion fully, one must know the original Homeric passage. Theophylactus claims something similar for Sapeir--that, despite his modest stature, he is a determined warrior.
[3] That is, in mental fortitude, resolve, or purpose. See LSJ s.v.
γνωμή III.5 for this uncommon sense. It is also implied that Sapeir's
γνωμή is correct, and so the word retains some of the more usual connotation of "judgement."
[4] This entire passage is highly rhetorical, as is common in Theophylactus who is known for "extravagant metaphors" and other stylistic extremes (Whitby xxvii-xxviii). Not only does Theophylactus claim of Sapeir that "in soul he was
Heracles", but he even suggests that Sapeir may have been greater than
Heracles in respect to courage. Comparisons of
Heracles (and sometimes other figures such as
Achilles and
Odysseus) with historical individuals such as Alexander the Great are common in ancient historiography, and they betray the close connection between history and the older genre of epic poetry which once filled a similar role in ancient Greek society and which never lost its influence upon Greek historiography--see Anderson for such Heraclean figures in history and other genres, and Ring specifically for the historiographic uses of
Heracles. Finally, note also that the emperor Herakleios, here mentioned by Theophylactus, was compared with the
Heracles on account of his name (George of
Pisidia,
On Bonus 1-9 ). Furthermore, it was common to call someone "the other
Heracles" if he seemed Heraclean in his actions--see
alpha 1338. Thus Theophylactus is here operating within both historiographic tradition and contemporary Byzantine practice in this comparison.
[5] Read
ἀποκνέω with the text of Theophylactus, in place of the Suda's
ἀποκναίω .
[6] That is, Theophylactus claims to be unafraid of denying
Heracles the first place in bravery, even if he cannot produce a specific rival. While flatteringly comparing Sapeir's boldness to
Heracles', Theophylactus is displaying his own historiographic boldness in comparison to other historians--the implicit comparison flatters the author.
[7] The choice of word,
μετεωροπορεῖ , is quite striking as it gives a miraculous aura to the accomplishment; compare
Philostratus,
Vita Apollonii 3.15, where it describes the magical levitations of Indian sages.
[8] Read
τὸν λειπόμενον with the text of Theophylactus, in place of the Suda's
τὸ λειπόμενον .
[9] Theophylactus's
τὴν ἄνοδον ("pathless") plays on the understood
ὁδὸν ("path"). It is possible that Theophylactus actually included
ὁδὸν after
ἄνοδον to emphasize the word-play; it might have easily fallen out due to haplography. On the other hand,
ὁδός in this context is often omitted.
[10] The root of
θέαν , "sight," recurs throughout this passage (
θεάματος ,
θεασάμενοι ,
θεατής ), and it is pertinent to note that this root can imply watching or witnessing an important sight or spectacle. Theophylactus' word choice thus contributes to the vivid, voyeuristic feel of the passage by engaging the reader's sympathy, as if he too were watching with bated breath.
[11] Sapeir's fellow-soldiers are covering his attempt with heavy missile fire.
[12] Whitby takes the prefix of
ἐπιφανεὶς with the dative
ἑνὶ , "appeared at one...", but this does not fit with the usual absolute use of the verb. When
ἐπιφαίνω occurs with a dative, it is the person or persons to whom the subject appears. Furthermore, if the Persian here casts Sapeir off with the
θυρεός , there is a closer parallel with the Persian's second scheme which Theophylactus describes as "kindred" (
ἀδελφὴν ).
[13] Here "warrior" translates the common Homeric term
ἀριστεύς , a touch of epic color.
[14] Whitby translates
θυρεός as "battlement." This apparently refers specifically to a stone merlon (also called a cop or kneeler), the part of the battlement which sticks up between the cut-out parts called crenels. This meaning for
θυρεός occurs in no ancient or modern lexica, and I can find no parallel. Perhaps Whitby follows LSJ s.v.
θυρεός which cites
Homer,
Odyssey 9.240 & 313, with the meaning "stone put against a door." However, there it specifically refers to the massive rock placed over the mouth of the cave by the Cyclops, and I cannot see how that could be transferred to mean part of a battlement. On the other hand,
θυρεός usually refers to a large, rectangular (i.e. door-shaped) shield, and this seems to be the meaning here. This would be an actual shield, or perhaps a shield-like defensive screen, hung out in front of the battlement to provide additional protection for the defenders.
[15]
Homer,
Iliad 5.586.
[16] The
πον - root, referring to "labor" appears throughout this passage. The words
πόνος and
ἆθλος (note also the reference to Sapeir's third
ἆθλον below) are the standard Greek terms for the Labors of
Heracles, and this wording points to an extended implicit comparison between
Heracles and Sapeir as signaled by the previous explicit comparison.
[17] Literally "
ἀδελφὴν τῆς ἑτέρας ἐπιβουλῆς " means "a sister of the other scheme." Note the similar adjectival use of
ἀδελφὰ below (line 41 in Adler) where proximity suggests a word play with
τῷ ἀδελφῷ .
[18] Theophylactus' implicit comparison of
Heracles and Sapeir continues.
Heracles and other benefactors of mankind are often said to undergo danger (
κίνδυνος ) in their labors (e.g.,
Diodorus Siculus 1.1.1-2, 1.2.4-5). Of course, willingness to face danger is courage. Since Theophylactus has claimed that Sapeir rivaled and perhaps surpassed
Heracles in courage (
ἀρετή ), the adjective
φιλοκίνδυνος is meant to show that Sapeir was not just willing to face danger but even loved it.
[19] The "third contest" might also be translated the "third labor," since
ἆθλος is a usual term for the Labors of
Heracles. However, it more typically means "contest" and this translation, in fact, emphasizes the literary contest, as it were, between
Heracles and his rival Sapeir.
[20] The word
ἕρκους ("bulwark's") is common in
Homer and again lends epic color to the passage.
[21] That is, a Persian short sword. This word first appears in
Herodotus, who defines it at 7.54. In the Suda see
alpha 882.
[22] Though here the usual sense "drone" seems primary (cf.
kappa 1561),
Herodotus at 7.61 says
Κηφῆνες is an old Greek name for the Persians. Because the referent here is a Persian, and because both
akinake and
Kephen occur first in
Herodotus who, in fact, defines them in relatively close proximity, Theophylactus may have intended to produce an allusive double-entendre where
kephen means both Persian and drone. Such a pun would imply that Persians are, in fact, drones in comparison to true warriors like Sapeir. Such an allusion would be in character since, as Whitby notes (xiii), Theophylactus was the last secular classicizing historian who wrote "in self-conscious imitation of classical historians such as
Herodotus,
Thucydides,
Diodorus Siculus, or Arrian."
[23] My translation reproduces Theophylactus' wordplay "
ἀδελφὰ τῷ ἀδελφῷ ."
[24] The verb
ἀράττω usually takes an accusative object, so it is strange to see the gates in the dative. Probably this error is due to analogy with a verb like
ἐπιβάλλω .
Immanuel Bekker. Theophylacti Simocattae historiarum libri octo. Corpus scriptorum historiae byzantinae. Bonn: Weber, 1834. (web address 2)
A. R. Anderson. “Heracles and his successors. A study of a heroic ideal and the recurrence of a heroic type,” Harvard Studies in Classical Philology 39 (1928): 7-58.
Michael Whitby, and Mary Whitby. The History of Theophylact Simocatta. Oxford: Oxford UP, 1986.
Abram Ring. Historiographic Heracles among the Greeks and Romans. Ph.D. Diss. Classics, University of Virginia, 2008.
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